PRESS COVERAGE
β β β β
βInventive, magical, heartwarming, enchantingβ
β The Stage [Cinderella]
β β β β β
βA dream come trueβ¦ left with a beaming smile on my faceβ
β Derby World [Cinderella]
β β β β β
βheart-warming, quirky and earthyβ
β East Midlands Theatre [Cinderella]
β β β β β
βclever, witty, sweetβ¦ allows the people of Derbyshire to be proud of their county and what we stand for.β
β Theatre and Tonic [Cinderella]
"a dazzling display of unconventional storytelling"
β Stagetalk [Raymondo]
β β β β
"a little like what might happen if you put Tim Burton, Philip Ridley, and Tim Crouch into a blender together with a thesaurus."
β Laneβs List [Raymondo]
β β β β
Impressively original... hovers around the sublime
β Broadway Baby [Raymondo]
β β β β
βA gorgeous contemporary fairytaleβ
β The Stage [Raymondo]
β70 minutes of utter geniusβ
β Bristol Prospectus [Raymondo]
βThis is The Bacchae remade in gold, sinew, and yes, chicken fat.β
β Exeunt Magazine [Dennis of Penge]
β
β
β
β
βThis is something special, mixing compassion for its characters with a primal energy that simmers, then comes roaring into furious life.β
β Time Out [Dennis of Penge]
βThe best is saved until last: Ant and Hop (adapted from The Ant and the Grasshopper) by Annie Siddons is a real crowd-pleaser that shows two girls discovering the importance of teamwork and planning, via the medium of cake.β
β Theo Bonsanquet, The Stage [Ant and Hop]
β β β β
"Enchants children and leaves adults yearning for that lost childish sense of imagination that was able to take us into magical worlds instantly."
β Everything Theatre [Nutcracker and Mouse King]
β β β β
βA rich, wild and precise poetry that breathes a colossal and sometimes angry humanityβ¦ Magical and strangeβ¦β
β Joyce McMillan, The Scotsman [Raymondo]
β β β β
βa mighty piece of poetic storytelling. By turns ribald and sublime, itβs a cri de coeur for compassion and communityβ
β The Stage [Dennis of Penge]
β β β β
"It is not often that you see a show that makes your heart go ping ping boom boom, but this is one."
β Lyn Gardner, The Guardian [Rapunzel]
β β β β
"Not since Into the Woods has there been a theatrical fairy tale as dark and ingenious as this."
β Theatermania [Rapunzel]
β β β β β
βThis marvellously inventive showβ¦ Annie Siddonsβ script is almost Shakespearian in its mix of the earthy and ethereal, the funny and the frighteningβ
β Robert Hewison Sunday Times, [Rapunzel]
β β β β
"Wonderfully involving, witty and emotionally potentβ
β Paul Taylor, The Independent [Rapunzel]
β β β β β
βJust go. And take some children. If none are available, go anyway.β
β The Times [Rapunzel]
β β β β
"One of those pieces that you leave feeling genuinely moved"
β Broadway World, [How (not) to Live in Suburbia]
β β β β
"brimming with awkward situations and social commentary that are brutally and hilariously close to the bone"
β The Gizzle Review, [How (not) to Live in Suburbia]
β β β β β
βThis is something special, mixing compassion for its characters with a primal energy that simmers, then comes roaring into furious life.β
β Time Out [Dennis of Penge]
β β β β
βWitty, wry, tough, poetic and brilliantβ
β The Upcoming [How (not) to Live in Suburbia]
β β β β
βUntamed, brilliant writing... grotesquely beautiful, tragic and uplifting. A one woman rollercoaster rideβ
β Fest [Raymondo]
β β β β
"an accomplished and compelling piece of theatre"
β Theatre Weekly, [How (not) to Live in Suburbia]
β β β β β
βDark and Sublimely Sweetβ
β Time Out Criticsβ Choice [Rapunzel]
β β β β β
"a compassionate witty performance demonstrating the human need for love"
β The Spy In The Stalls, [How (not) to Live in Suburbia]